Issue 88 January 2021 Flash Fiction Online January 2021

The Girl-Shaped Jar

by Camille Alexa

February 2015

Sammi’s sister sent her a funny email. A funny, funny email, showing crazy Japanese inventions to make things into other crazy things, other crazy shapes they weren’t. All crazy and stuff stuff, like watermelons grown in tempered glass jars, square right off the vine.

She clicked a picture of square watermelons, followed link to link to link from the chainletter her sister forwarded from a forwarded forward to her until it was junked up with blue boxes and sideways carets around names and addresses of everyone who’d sent this thing ever. Forward this email to three friends, the email told her at its nether-end, and you will know happiness the rest of your life.

Staring at the screenful of square watermelons, Sammi wondered if she had three friends. She couldn’t forward to sender, and was a sister a friend, anyway? She had a boyfriend, but wasn’t sure he could properly be called a friend friend. Boy-mate, man-mate, man-meat, whatever he was. If he was whatever, what did that make her?

Deciding to count him as one friend, Sammi clicked: Forward to:.

Good job, yes. Job well done. Happiness will now find Sammi, now stick to her forever like toilet paper to the heel of her shoe.

That evening at supper her manfriend of too many years to count grunted at his computer screen. She glanced up briefly from her lemon-peppered edamame and inbox to watch the light of his laptop screen flicker in his glasses as he shoveled spaghetti between his lips. “Good,” he said. “That’s good.”

Blinking, Sammi said, “The pasta? It’s from the box you like. With the dinosaurs on it. With the organic vegetable in a little circle with the red line through it.”

He licked his lips, frowned. “No. Square watermelons. Smart. Fit easier on shelves. Much more convenient.”

Late into the night, Sammi lay looking a the ceiling, thinking about convenient watermelons and glass jars to make things the perfect size. Next morning, she dug through her emails, clicking link to link to other links, until she found the page selling square jars to grow square watermelons to fit easily onto shelves. She clicked more links, and shopping carts in modern pictography, and entered credit card numbers, and scarcely had shut down her computer for lunch when the doorbell rang.

After the deliveryman left, Sammi sat staring at the enormous box in her small livingroom. Fragile, it read, and listed a return address someplace in Idaho.

She slit the tape from top to bottom, ignoring the sharp edge of the knife where it shone. Packing foam in small shapes like mangled snails tumbled from box slits, little styrofoam avalanches. The jar itself was surprisingly light, surprisingly easy to handle. It is convenient, she thought.

Thanks to excellent foreign design and mediocre American engineering, the jar stood easily by itself. Sunlight streamed through glass patio doors, only slightly muted by the fraying screen, glancing off rounded surfaces, shining through hollow interior spaces the perfect shape and size of a real, perfect girl.

I will know happiness the rest of my life, she told herself, stripping off her clothes and folding them neatly in small like piles on the arm of the sofa she wouldn’t pay off until 2610. She climbed up onto the sofa, then up onto the arm, placing one hand on the neck of the girl-shaped jar. She eased into the jar one leg at a time, her body sliding into its spaces, filling its hollows. First one leg, then the other, then her torso slipping in like slipping into a tight swimming pool, her arms flowing into the proper cavities of a jar designed for just such a thing.

Breathing was difficult, what with the need for expansion and contraction of the diaphragm and the lungs and whatnot; but never had Sammi felt so perfectly shaped. She’d always been rather too slender here, too full there, concave where she should’ve been rounded and vice versa. But with the firm glass edges of the jar holding her in place everything felt the way it should for what seemed to Sammi like the first time in her life.

She smiled. I’ll know happiness the rest of my life, she thought, glancing at the clock to see how long before her man-person-boy came home from work, ignoring the increasing difficulty of drawing breath within the confines of the girl-shaped jar; Yes… The rest… of my… life.

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Across From her Dead Father in an Airport Bar

by Brian Trent

January 2021

Comments

  1. Holly says:
    Beautiful, evocative, and imaginative.

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The Technology that Connects Us

by Wendy Nikel

January 2021

Back in October, our editorial team took a technological leap forward: We held our first-ever staff Zoom meeting. Across five different time zones, with the help of computers and laptops and WiFi and Zoom, we were able to talk about some of our hopes and dreams for Flash Fiction Online and how best to continue bringing you, our readers, the most brilliant, dynamic, and beautiful flash fiction we can find.

Here’s just a few of the things we discussed, which we’ll be implementing going forward:

  • Flash Fiction Flashback
    In months with a fifth Friday, we’ll be using that final Friday to revisit a story from our archives that ties in with our current issue and that has stuck with us through the years.
  • Flash Fiction News Column
    Want to know more about flash fiction? We’ve asked Ancestral Futures’ Audrey T. Williams to share with us what’s going on in the flash fiction community, from reviews of flash anthologies and stories to interviews with those who are making waves in this unique niche.
  • Guidelines Changes
    If you’ve submitted work to
    Flash Fiction Online before, you may notice that our guidelines have some changes. We’re still looking for the strongest and most compelling stories of flash (500-1000 words) that you can send us but there are some changes in our process going forward, including:
    • Monthly submission windows
      We’ll now be open to subs from the 1st – 21st of each month.
    • No multiple subs
      Please wait until we have responded to one submission before sending another! (You may, however, send one original and one reprint when we open to reprints again sometime this spring.)
    • #ownvoices
      On our Submittable form, you will now have the option to indicate if your story involves the experience of someone within a particular marginalized group (race, nationality, culture, religion, disability, gender identity, neurodiversity, etc) which you also identify within and are comfortable sharing with our editors.

With all of the time we spent on computers and spreadsheets and Zoom and Slack over the past months, working to put together this issue and plan for moving forward, it worked out well for the first issue of 2021 to be all about the technology that connects us.

In “Across From her Dead Father in an Airport Bar,” Brian Trent presents us with a new invention that helps connect us not just across the world, but across time, and even beyond death. (Available online Jan 1)

In “Into the Lightning Suit” by Kyle Richardson, two siblings take very different views on the extent which technology should be used following the death of their mother. This story asks again that age-old sci-fi question: Just because we can, does that mean we should? (Available online Jan 8)

In “Warlord” by Steve DuBois, we see how technology can keep us connected to people we already know, but it can also help us form new bonds and connections going forward. (Available online Jan 15)

Our reprint this month, Southside Gods,” by Sarah Grey, is a story of broken technology, originally published at Orson Scott Card’s Intergalactic Medicine Show. (Available online Jan 22)

And finally, for our very first Flash Fiction Flashback, we’ll be revisiting Camille Alexa’s “The Girl-Shaped Jar” and reconnecting with the author, nearly ten years after that story’s initial publication in Flash Fiction Online. (Available online Jan 29)

As we enter this new year, may these stories inspire you to connect with the important people in your life, be it on Zoom or Slack or email or tin-can telephones or video game chat or some new technology that you invent yourself. Share a smile. Share a laugh. Share how much they mean to you.

Or simply share a story.

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Into the Lightning Suit

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Warlord

by Steve DuBois

January 2021

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Southside Gods

by Sarah Grey

January 2021

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