Issue May 2012 Flash Fiction Online May 2012

Table of Contents

Mother’s Birthday

by Carrie Seever

January 2015

Lizzie was sitting in a corner counting her money. “Thirty-five, Kitty, thirty-five cents.” When Lizzie’s mother was away, washing, she made her kitten her confidant. “Talk about mamma’ll be surprised when she gets this birthday present, My-i! Third one I’m giving her — when I was five I gave her peanut candy; only she didn’t come home till the peanuts were picked out. Second time I gave her a blue hair ribbon; blue looks nice on my red hair. Now I’m seven — twice seven and I won’t have these freckles and long skirt’ll cover my skinny legs, and,” she continued, getting up and trying to stand dignifiedly, “my name’ll be Elizabeth. Then I’ll give mamma a album! So long, Kitty.”

Out of the door she skipped, and down the alley toward the market. She forgot about the market when she reached the corner of the alley, for there stood a cart loaded with clocks, vases, jewellery, everything to satisfy one’s birthday wish — even an album.

Lizzie joined the crowd that had gathered to hear what the owner of these articles had to say. She listened a moment and then danced for joy — the man, who seemed to be all stomach and voice, was actually inviting them to take a twenty-five dollar watch for five cents.

“Now, ladies and gentlemen,” said the stomach and voice, “any article on this counter for five cents — every piece of chewing gum wins something. You want to try, mister? Now, folks, watch him read the name of one of these handsome presents from the slip of paper around that gum. Gold-handled umbrella? Here you are. Who’s going to win the other one? Nothing faky. That’s right, try your luck” — to a man who was edging to the front. “Diamond stud? You’re lucky — only a few more diamond studs left. Next! Anyone else? Don’t stop ’cause you won an umbrella. That’s it. What you got now? Gold bracelet? Five rubies and four emeralds in it, ladies and gents.”

Lizzie began to realize that she wasn’t dreaming — three prizes gone already!

“Lady, don’t you want this linen tablecloth? Fifteen dollars retail. Or this album that plays music when you’re looking at your loved ones?”

Lizzie gasped — there was only one album. “I want to win the album,” she shouted.

“Come right up with your nickel. Here’s a gal knows a good thing even if she did swallow two teeth.”

Had this remark been made about Lizzie’s teeth at another time she would have fired a red-headed retort, but now she thought only of the album.

She exchanged her five pennies for the gum, and with trembling fingers unrolled the tissue paper and let the stomach and voice read the name from the slip of paper — “Lead pencil,” was announced.

Poor Lizzie’s heart sank, and the stomach and voice was telling the crowd that there were a few pencils in the lot, and showed them a box containing five pencils.

At this Lizzie cheered up — she decided that if no one else won those pencils and she was unlucky five more times she would still have five cents left with which to win the album.

She won five more pencils, had given a last look at the last five pennies, unrolled the slip of paper and given it to her nearest neighbor to read — “lead pencil,” was read.

“Since they ain’t no more pencils I’ll take the album,” announced Lizzie triumphantly.

“Got more, sissy,” said the stomach and voice, taking a few from his pocket and placing them in the box, handing one to Lizzie.

The crowd jeered and left. Lizzie was too dazed to go, and, sitting on a soapbox in the alley, stared at the album. She heard the shrill whistle the stomach and voice gave, and a few minutes later saw the winners appear, returning the articles they had won. She wondered why they did this, and, as a new crowd was coming, drew closer to the cart.

She listened again to the same harangue and saw the umbrella winner take another chance. She gave a start when he thundered “umbrella” — she saw through the performance, and her cheeks glowed with indignation.

“Ladies and gentlemen,” she screamed, “this is a fake business — that man won a umbrella and brought it back, and so did the other man.” By this time she was out of reach of the stomach and voice, who threatened to knock two more teeth down her throat. But Lizzie’s voice was not out of reach, and the crowd could hear her yelling, “Everybody else wins penny lead pencils.” The crowd laughed and left.

Lizzie waited for the next crowd, and, coming from her hiding-place, gave them the same information.

After the crowd had gone the stomach and voice caught Lizzie, who, while trying to free herself from his grasp, bumped her lip, and the blood oozed from her tender gum.

“Policeman, policeman, help!” she screamed.

Seeing the people in the neighborhood coming to Lizzie’s rescue, the stomach and voice promised to return her money if she would keep quiet.

“I’m gonna tell them all you knocked my teeth out unless you give me the album,” snapped Lizzie.

“All right,” meekly answered the stomach and voice, who had been collared by this time, but was released when the men received Lizzie’s invitation to come up the alley and see her album.

“Good-bye, mister — thanks awfully for the gum and pencils, too,” and away she ran, the album in her arms.

When in the room, she locked the door for fear the album would be taken away.

“Kitty, look! A album, and me only seven. They’ll just have to call me Elizabeth, freckles and legs and all.”

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The Deep

by Adam Smith

January 2015

The night the sea came in at the windows with a roar like a thousand drumbeats, I was abed and dreaming of my dead husband.

Riauk had been gone nigh on two years, pitched over the side of our fishing boat, where he’d disappeared (I was told) with scarcely a splash. Punishment, the villagers said. The sea mother’s retribution. I did not believe it.

I missed Riauk most in winter, when the rain off the sea slipped through the cracks around the windows and the wind moaned beneath the thatch. The thin woolen blanket was no comfort from the mist, and the forlorn cries of the gulls picking clams along the beach were echoes of emptiness.

I dreamed that he called to me, though not in a human voice. It was a sound like a cry from deep underwater, a shout laced with bubbles and seaweed, muffled as though by immense distances.

I dreamed of him often. For a while it was the horrific dream of the bloated body that had washed up on the shingle beach, skin the color of chalk cliffs, nibbled bits of flesh as pink and clean as scrubbed hands. Dreams in which he walked up from the beach, ashen-gray and swollen with seawater, trailing kelp like long green tethers. His eyes empty as miniature moons, bleached of color and life. Those dreams would heave me up out of the cot, a scream swelling and dying in my throat.

Those faded eventually.

For months after, I dreamed images of our youth, night after night. Hardscrabble winters and autumn sunsets. Quiet evenings of stewed mussels and weaving. The days spent trimming and gathering palm fronds for our hut. The time he’d struck me with the flat of his palm so hard that the imprint of his hand lay like a shadow on my face for weeks.

But most often I dreamed of nausea and sore breasts and bulging bellies. Four times in four consecutive summers I had quickened, felt the churning butterfly wings of movement, proudly watched the doughy rise of my navel. Each time but the last it had ended in blood and sickness. The one tiny scrap of humanity that had emerged stayed only a season, leaving behind its fragile body like an empty coconut shell.

The villagers feared the tiny girl. Small and dark, the color of oiled mahogany, with four long slits like gills behind each ear. I called her Eketi — “little fish”.

For a thousand years, those born twisted and infirm, those with split faces and too many limbs, had been given back to the sea. They were the sea’s children. Hatchlings of the storm.

I held her to my breast. I did not relent. The village women avoided me, making a sign over their mouths with closed fingers to prevent the demon that had taken me from entering their body.

Shortly after came the night my husband struck me. The Old Man of the village had come and spoken to him. My husband lifted the baby gently — he was always gentle with her, even then — and made for the door, but I stood in his path like a windblown tree and would not move. He did not meet my eyes. He spoke softly, insistently. Words as dull and meaningless as surf-washed pebbles. I screamed. He slapped me across the cheek with a sound like a tuna dropping on the empty hull of a boat.

But he did not go. The anger passed from his face. He helped me back to my feet and wept like a child in my arms, stroking the infant’s head with a hand grown rough and callused from hauling lines and patching nets. I did not weep. I cradled Eketi in my lap, cooing quietly though I tasted blood.

Her life had burned quickly, fiercely. Dry grass in a strong wind. Her eyes were old, incredibly old, as if they had viewed the rising of the islands like the tortoise shells from the depths. I had known she would not last, known it from the first moment I had seen her bunched face. Riauk had known it too, I think, though he never spoke of it. He turned his back on the villagers, sheltered Eketi and I like a boulder at the verge of the storm-tossed sea.

The night when the sea came in at the windows with a roar like a thousand drumbeats, I was dreaming all these things. Of a baby that had not died, but had grown into a beautiful, dark-haired child with ancient eyes. Of a husband whose hunched back bore the lashing wind and rain. Of a voice that called to me in the speech of the sea.

Then all was water, a froth of sticks and foam and swirling debris, a quickly muted thrum like a drawn out roll of thunder. It picked me up, spun me a slow circle like a cautious dancer. I opened my eyes to light, a shimmer like moonlight on calm waters. I saw villagers, those I had known my entire life, men and women with skin the color of palm bark, wrinkles netting their faces. Eyes open, mouths wide in silent screams, struggling frantically against the weightlessness of water, while precious air like pearls drifted upward.

The current lifted me on pillowing arms, caressing my face with plumes of soft light. I did not struggle. I listened as the muffled rush fell away and there was only a submarine stillness, an eerie and blissful silence without birds or insects or rustling grass.

I saw them, Riauk and Eketi. They swam toward me. Bright eyes and sleek bodies, scales like drops of molten silver. I knew them. They called my name with the soft insistence of waves lapping the shore.

I left it then, that cumbersome body. Shed it like an empty seed pod. Abandoned it to the mud-stained darkness.

A flick of tail, a slant of fin. Cool, cool water tickling the tongue.



 

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Star Maven

Think you’re tough? The kind of hyperspace hero who calls a meteor storm “confetti?” I dare you to say “no” to my mother.

Tell her something just can’t work that way, and she’ll start to wonder why not. She’s good at untangling things — my girls will swear to that. And then — eventually maternal cunning will trump whatever technology you’ve got.

Wish she’d throw out some of the stuff she finds whenever she untangles her closets. Got her hands on a relic that turned out to be an ancient graphing calculator, and used it to ensure all of her birthday greetings to me make it through inconveniences like the time-space continuum.

Shippie, with his doctorate in Wormhole Coordinates, gets surly whenever I tell the story. “Explain,” he demands, “how a gardening grandma, using something not made in 50 years, busts algorithms that gave me nightmares at the Academy. How many digits could a thing like that carry, anyway?”

“Damned if I know,” I always answer, and remind him that she never throws anything out.

The rest of my crewmates think she’s great — even Shippie approves of her priorities. Mom discovered she could override our mess configerations from her own cozy kitchen, far, far away, and now they all get to eat her brownies.

But try not calling home every Saturday night, and see where it gets you. There’s some horrible irony here I really don’t want to explore, that my gray comes not from my children but from my mother.

“You know,” Donovan said thoughtfully one night, as he swept up his poker winnings, “You could ask her to train a whole flock of seniors, have ’em take over Base Command, and free everyone up for field duty. Save us a fortune.”

“Keep laughing,” I said darkly, totting up what I owed, “but one day I’ll let her know how you pick my pocket, and the next time you come down with vortex fever, you can damned well sweat it out without that chicken soup. And anyway,” I added, “it’s an innate gift. Could have saved me a fortune if she’d passed it down.”

“Sore loser,” he said, but I swear he blanched.

I’d done as well by her as anyone so often out in the field can do — got her a tidy little cottage back home in the Near Orbit, and not one of those maintenance-free synthetic wonderamas either. If I told you how often the moids broke trying to get the yardwork done, you’d understand why I’m always putting in for long haul.

If she’d just stop tinkering with them, the warranties wouldn’t keep getting invalidated. But you can see she’d never let sealed circuitry stop her.

My last time back on leave, I was letting myself in and nearly fell over the doorsill when I heard my own voice from somewhere inside, plaintively demanding grilled cheese sandwiches. Mom, who saves all my messages, had run a voice simulation program and then audio-looped the housemoid.

“For heck’s sake, Ma,” I’d protested, rubbing my shin.

“I know you can’t call as often as you’d like, sweetheart,” she’d said mildly, kissing me as she took my jacket, “and it just feels so good to hear you around the house.”

She wasn’t the type to mix with the burgundy-haired seniors at the Fleet retirement estate across the lake, and with Oon and the kids over in base housing, I’d worried a little bit about her being lonely. But she keeps her mind nimble.

We were making a cricket jump through the Outer Band, one of those routine maneuvers that you never even think about, when communications went dead.

The ship was a sleek new baby already setting records for her class, so we hadn’t bothered to request Lighthouse Navigating as external backup support. That’s essential for older vessels, of course, but a first-class beauty like ours, you’re expected to put her through all her paces. You get overly cautious, Command starts questioning your competence and your guts.

But we were transiting a notoriously unstable quadrant, where the Lanekeepers are run ragged keeping track of the hyperspace equivalents of icebergs. And because some idiot had failed to flag us on their roster, they’d gone right ahead and busted up an asteroid just before we entered the jump.

A couple million tons of fragments and your magnetic points are suddenly shot to hell, your gyros exhibit behavioral disorders, and inside the jump, of course, you have no visual.

We were all starting to sweat, when a Lighthouse beam locked onto our bridge and the relay came back on.

“Next time don’t be a smart-ass, and file your request on time,” the Lightsman said, when we did the report. “And advise us if you’re going to use a third-party transponder, OK?”

Once we’d docked, and passed round the Arcturian brandy to celebrate not being turned into space dust, I called my mother. She stopped me in mid-thanks.

“Oh, sweetheart, you know how it is,” she said, “I woke up and knew something just wasn’t quite right, that’s all.”


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Mother’s Day Issue

January 2015

To honor brave and loving women everywhere who, through their love and nurturing of children — their own or others — have earned the privilege of calling themselves mothers, we present our special Mother’s Day issue.

Ambrose Bierce, one of our favorite Classic Flash Authors, once gave this definition: “Sweater, n.: garment worn by child when its mother is feeling chilly.” In our first story, “Star Maven” by Sarah Akhtar, chosen especially for Mothers everywhere, we see that mothers never change — not even when they are separated from their children by the wide chasm of space.

In Adam Smith’s “The Deep,” another mother tells her story of longing and loneliness in a post-apocalyptic world.

And for our Classic Flash, Carrie Seever gives us one clever seven-year-old’s quest to obtain the perfect present for her dear mother.

Be sure to check out our blog, our Facebook page, and our Twitterings.

Happy Mother’s Day!

 

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